1902

A Trip to the Moon looms large in looking at the picture of 1902 in film. Georges Méliès' masterpiece is inarguably the most famous film of the early cinema period. But as will be explored by this season's guests, its part in reshaping the aesthetics, genres, and industrialization of the global film community exists alongside another version of film history.

Film scholar and preservationist Clara Auclair and Tristan talk quite a bit about comedy and tricks, those originating from the stage and those that could only come from the magic of filmic technology. That conversation leads into discussing the phenomenon of early recreations of real events…or are they “fakes!?”

Karl Wratschko, curator, filmmaker, and artist, has been working as a film curator for the Il Cinema Ritrovato festival in Bologna since 2016. He brings his experience of programming screenings based in specific years, not unlike this very show (he’s even done 1902 for the festival!), to craft an abridged program you might have seen in that year.

Lea Stans has been writing about the silent era on her blog Silent-ology since 2014, informed by her college interests and even younger fascinations with the obscure. Her 1902 picks reflect the increasing diversity of the worldwide filmic output of the year, from the French féerie genre to actuality chronicles of downtown Indianapolis and northern England.

Vanessa Toulmin, Chair in Early Film and Popular Entertainment at the University of Sheffield, is an expert on variety theater, circus, travelling exhibitions, fairgrounds, and other aspects of the history of show business. She brings this expertise to her five picks from 1902, ranging from her vast experience with the Mitchell & Kenyon films to an intriguing connection between A Trip to the Moon and an early amusement park ride.

Tristan welcomes two guests to one episode for the first time: the husband-and-wife film historian, archivist, and curator duo of Tamara Shvediuk and Federico Striuli. The pair showcase spectacle with their five picks, from the féerie to chronicles of a significant political change.

It's not like the established actuality suddenly evaporated in 1902, but as guests have pointed out throughout this season, a diversification of film topics, aesthetics, and technology fostered new genres and production styles. In this season finale, Tristan briefly summarizes the common threads of his conversations and puts together the most selected 1902 films.