1903

The law (at least in America) had a significant effect on the development of film genres, aesthetics, production, and viewing practices from 1903 on. The world over, tightly run studios were becoming more and more prevalent, shifting story films further and further into the spotlight, and dedicated filmviewing spaces were cropping up. It's difficult to define any one calendar year as fundamentally shifting the development of cinema, but as guests will demonstrate, new techniques, technologies, and industrialization make the case for an exciting year.

Neil Brand has been a silent film accompanist for nearly 40 years. He shares his musical expertise, which also includes composing new scores for silent film re-releases, while exploring exciting threads of fantasy, comedy, and violence in his five picks.

Silent film historian Bruce Calvert has been collecting silent film memorabilia for 30 years, showcased on his site The Silent Film Still Archive. He shares his story of how he came to develop this interest and addresses how supporting materials can help us understand how incomplete, missing, and even fully surviving movies were made, seen, and received.

Pordenone Silent Film Festival director Jay Weissberg has facilitated an array of programs that expand the canonical ideas about what was made in the silent era and what can be appreciated now. With his picks (which he stretches a bit past five with two more must-sees), he showcases international, amateur, and aesthetic ambitions in 1903.

Film archivist and historian Rob Stone has always been interested in silent film. With his five picks, he charts evolving storytelling capabilities in the medium’s earliest days and the darker side of the fading actuality, mostly as represented by one filmmaker!

Colin Williamson, Assistant Professor in Cinema Studies at University of Oregon, has wide-ranging interests, including animation, special effects, and media archaeology. With these angles and more in mind, he brings a unique perspective and some myth busting to his standout films of 1903.

While one particular film was explored in-depth this season, every guest (whether they selected The Great Train Robbery or not) explored lesser known or at least lesser appreciated arenas of cinema in 1903. The myth busting, amateur spotlighting, and spectacle showcasing elements of this season's conversations make the case for the expansion of the art form in this calendar year, which may indeed deserve its special attention.